In Lahore, the well-known Pakistani scriptwriter Khalilur Rehman Qamar was abducted and assaulted, police reported.
According to the details, a woman named Amna invited Qamar to her residence under the pretext of discussing a drama project.
Once he arrived, armed men kidnapped him and carried out the robbery.Qamar reportedly handed over a large sum of money to the abductors, who then released him.
The Sundar police station in Lahore registered a case based on Qamar’s account.
The First Information Report (FIR) indicates that the suspects tortured Qamar and moved him to multiple locations. Qamar claimed that the kidnappers threatened his life and demanded money from his relatives.
Additionally, the FIR states that the suspects stole Qamar’s mobile phone, watch, and cash, and transferred Rs250,000 from his ATM card.
In the FIR, Qamar also mentioned that the kidnappers blindfolded him and left him in an isolated area before escaping.
Khalilur Rehman Qamar is a distinguished Pakistani scriptwriter, director, and producer, known for his significant contributions to the country’s television and film industry.
Celebrated for his compelling narratives and powerful dialogues, Qamar has written several popular dramas, including “Mere Paas Tum Ho,” “Pyaray Afzal,” and “Sadqay Tumhare.”Qamar has also directed and produced numerous successful projects, establishing his reputation as a versatile and influential figure in Pakistani entertainment.
He is often at the center of controversy due to his outspoken views and provocative statements.
One major controversy involved his dispute with feminist activists and other media personalities over his views on gender roles and feminism.
His remarks during television interviews and on social media have sparked widespread criticism, with many accusing him of promoting misogyny.
Despite the controversies, Qamar has remained unapologetic and steadfast in his beliefs, continuing to express his opinions openly.
This stance has both polarized and attracted a significant portion of the Pakistani audience.
